Music Review by Dee Dee McNeil, Musical Memoirs

CAROL BACH-Y-RITA – “MINHA CASA / MY HOUSE”
Arugula Records

Carol Bach-y-rita, vocals; Bill Cantos, piano; Larry Koonse, guitar; John Leftwich, bass; Mike Shapiro, drums/percussion; Dudu Fuentes, percussion on track 9.

 

From the first cut, I have the feeling this is going to be a special musical offering. “Morning Coffee” is creative and cohesive, with a wonderful lyric and catchy, memorable melody. It’s composed by pianist Bill Cantos. Bach-y-rita sells the song and adds percussive vocals for good measure. She makes the song come alive and fades with just her voice and percussion. Nice! I love the arrangement on the old standard “You’d Be So Nice to Come Home to” with the guitar trio employing a Latin, 6/8 feel that makes it a unique listening experience. Carol Bach-y-Rita has a propensity for using her voice to scat percussion and I appreciate her technique and creativity. It sets her apart from the average singers and enhances her platform as a jazz vocalist. I am impressed with her timing and tackling Eddie Jefferson’s version of “Night in Tunisia” is not for the faint of heart. Obviously, she has picked a group of amazing songs to sing and thanks to unusually fresh arrangements, as well as the sensitive group of musicians she is working with, here is a collection of pure talent. The last time I enjoyed “Tis Autumn” was when I heard Gloria Lynn sing it. Ms. Bach-y-rita has changed all that with her successful vocal on this beautiful jazz standard. Larry Koonse is a sensitive and established guitar accompanist. To top off the ice cream sundae of a musical experience, both sweet and tantalizing, this vocal artist tackles the Joni Mitchell and Charlie Mingus composition, “The Dry Cleaner from Des Moines.” It’s arranged by herself and reedman, Robert Kyle. They call it a Samba Reggae. LOL. Refreshing! I thought I had heard “Nature Boy” in every type of arrangement until Carol Bach-y-rita decided to sing it for us as a duet with drums. Just in case you had any doubts that she is a real jazz singer, this arrangement will put them to rest! Drummer, Mike Shapiro, plays beautifully and totally supports the artist with percussive excellence. The two of them have written and arranged “Trust”, a composition that follows, utilizing a Maracatu rhythm beneath the haunting melody. The artist performs in Portuguese with no problem and great emotion. I learned, from reading the liner notes, that she is conversant in five languages. Impressive!

 

The suggestions for airplay of this album reads, “File under jazz/vocal/Brazilian/world.” However, I say this is simply great music, featuring a beautifully recorded artist, who is shades of a female Al Jarreau or Bobby McFerrin and who is not afraid to jump off the precipice of music without a parachute.

© 2016 Carol Bach-y-Rita

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